![]() ![]() At times the music travels back in time, reminding me of black-and-white post-war films, where piano and fiddle play in the coffee shops of Krakow. But it is the slow legato melodies of Hahn’s violin that tie it all together, bonding two instruments into one inseparable knot. The various wooden, plastic and metallic objects still occupy their places on the piano strings, transforming preparing the instrument for its primordial roots. His music on Silfra maintains the staccato arrangements so prevalent in his previous works. If you’re a fan of Hauschka, as I have been since The Prepared Piano ( Karaoke Kalk, 2005), then you should not be surprised.
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